On PRESUMED INNOCENT there are about three great tracks that more or less sum up the whole score quite well.
It’s a rather “mono” thematic score so all centers on the main theme to me anyway.
Yes, it’s like a “themes and variations” score, which I don’t think is a bad thing at all. For me definitely one of the best scores Williams did in the 1990s.
BLACK SUNDAY is interesting… I have the score in my collection since 2010, but have not yet listened to it. It’s still a Williams score I’m looking forward to discover one day.