Reply To: What are you listening to now?
Yes, it’s like a “themes and variations” score, which I don’t think is a bad thing at all. For me definitely one of the best scores Williams did in the 1990s.
Just to not be misunderstood this was not really a “quality” statement. Especially since many Goldsmith scores also are that. And of course Williams’ own THE LONG GOODBYE is even more so (and I like it as a very
BLACK SUNDAY is interesting… I have the score in my collection since 2010, but have not yet listened to it. It’s still a Williams score I’m looking forward to discover one day.
You should really do finally! It is the kind of thriller score which Williams rarely did.