Reply To: FSM # 20: Final scores – best and worst?
Dead Men Don’t Wear Plaid IMO was perfect final score for Rozsa, being a return to his classic noir sound (which is my favorite Rozsa).
Taxi Driver may be the greatest final score among composers I care about. And while many film composers are still alive, I wonder if any composer has (or will have) a set of career bookends as great as Citizen Kane and Taxi Driver.