Nic(k), that is quite an achievement indeed. I expect that my following point has been covered (I’m here so infrequently), but… how do I word this… what percentage of those Goldsmiths do you not really like? Isn’t it inevitable that if you have ALL of a composer’s scores, you’re going to dislike at least some of them? How often do you listen to those titles, or are they just like “books read once”, which sit on the bookshelves for the rest of our lives?
Goldsmith might be my favourite film composer, but I have very little interest in his scores after around 1990, and thus haven’t bothered buying them.