Reply To: The Grand Listening Project

#11307
Malte Müller
Keymaster

    I probably would do the periods exactly like that I haven’t exactly thought about that. My least favorite period is probably the 50s to late 60s before the “actual” Williams sound surfaced. So maybe starting with HEIDI, THE REIVERS it really “starts” for me. I think in the late 60s – mid 70s Williams was a little more wider/versatile style wise than later when “all orchestra” literally took over.