Talking about dissonant music and sound design, any thoughts on Chris Young’s new score for PASSENGER?
Four tracks of what Thor described in this paragraph:
There’s a difference between that, though, and the type of noise music or sound design I was talking about. This moves beyond mere dissonance and into something else altogether. Even beyond something like ‘musique concrete’. It’s still organized sound, but based more on a collage of natural and unnatural sounds. I don’t really know how to formulate it, but I’m hesitant to call it music.
And four tracks of kind of religioso choir chants.