[Thor Joachim Haga]

I think World War Z in particular broke him because he did a really cool percussion score with animal bones and all this other crazy stuff at Air Studio for the director, and then was told by executives to start again and do something else, and he’s been cruising on autopilot a lot since then.

I wasn’t aware of those circumstances. I’m kinda obsessed with WORLD WAR Z. Seen it maybe 10 times. I have a soft spot for films that contain many “mini films”, which this does (due to its travelogue nature). But at no point during those ten times have I taken notice of the score. So that’s certainly not the main draw.