[GerateWohl]

One thing worth highlighting regarding Goldsmith is, that he was great with sequel scores. Like John Williams. That was in my view for example a weakness of James Horner. When he created a sequel score to one of his own works the score was mostly more of the same. Only exception that I know of might be CLEAR AND PRESENT DANGER. But Jerry Goldsmith usually managed to really create something new with each iteration. See THE OMEN, FIRST BLOOD, POLTERGEIST.