Reply To: The Challenges of Horror and Dissonance

#4775
Malte Müller
Keymaster

I like Morricone’s as well but it is just more challanging as Goldsmith’s to me. I have a some special connection to Stockhausen’s KONTAKTE as I proof-read a doctoral thesis of a friend some years ago (for typos, not really the content ;-)).

Also I can even find noises interesting as overlaying noise e.g. from machines (put your ear on your fridge while it is working) can create dissantant rhythmic sounds.