[GerateWohl]

Yeah, in a way I find it fascinating that there exists this seemingly popular parallel soundtrack world.
But my memory of the italian genre movies that I have seen (especially comedy and horror) is, that there is not much in for fans of symphonic movie scores like me. It is more that easy listening genre, like also 80% of Morricone’s scores.

Interesting enough, that often music of composers who at their time often worked in kind of a pop ensemble format like Ennio Morricone, Nino Rota or also Astor Piazolla (I know, he’s Argentinian) are today a prefered source for orchestral or classical chamber arrangements of their music.