[Nick Zwar]

I’ve bought a number of recordings more than once, a few more than twice, depending on how important a score is to me and whether I consider the new release offers a (substantial) upgrade over the previous one. Sometimes the upgrade was really worth it, sometimes it wasn’t. 🙂 But SUPERMAN is the title I bought the most.

One film score I love where I was always dissatisfied with the previous releases was Jerry Goldsmith’s PAPILLON. The Silva Screen release lacked substantial moments of the score didn’t sound too well, the Universal France added the missing music, but still didn’t sound good (though differently bad than the Silva Screen), and the Quartet… voila, everything fell into place, full program, great sound.