[slint]

I am much more lenient about composers for hire and the distant past. I’m happy to listen to Wagner and composers from the 1930s with dubious political association, just from an “historian” perspective. I guess the same for the 1960s, 1980s, and I’ve never deleted an artist from my collection; i do trace a line between this (my existing collection = the past) and the future. However, I’ve stopped following or bought new albums by many artists because of their behaviour. Sexual predators are an instant no, and political statements can lead to a no, but film score composers have some leniency if they just indirectly support a cause by being hired to score a questionable film.