[Thor Joachim Haga]

CATCH ME IF YOU CAN is a fine score, and it’s definitely jazz, but the fact that Dan Higgins’ sax solo was not improvised, but written so clearly down by Williams kinda challenges a core component of jazz.

By the way, this thread was not about the 10 greatest jazz scores in history (how do you decide that anyway?), but 10 personal favourites that COVER the entirety of film history.