[Malte Müller]

I saw a few silent movies with new scores live as well. Don’t remember all. But for example THE GOLEM with a new music by Betty Olivero featuring the Arditti Quartet and Giora Feidman as soloist (since I also have the CD of that). Or THE BLACK BIRD with a news score by a local band (which even was on some DVD).

I find that too modern scores, be it too pop or too advantgarde often tend to clash a little with the “old images”. If you know what I mean. But that’s probably a different topic.