[GerateWohl]

Hm. Not sure if it could go either way. Even when Newman went for classical orchestral textures I don’t remember him show that degree of variation that would be required for a wall-to-wall romantic score. A little bit like Alan Silvestri. When a particular theme appears it mostly appears the same.
And Newman isn’t even a tunesmith like Silvestri.

But anyway, I am happy to be surprised and proven wrong.

I expect a splash of orchestral color here and there but most of the time his atmospheric moody electronic meandering.