[Thor Joachim Haga]

Sometimes, these things are retro-actively changed. In the mid 2000s, I was in an amateur theatre troupe, and my job was to “score” the play with cues from my film music collection (had we not been amateurs, it would have been a rights issue nightmare, I’m sure). For one of those plays, I used selections like “Face of Pan” from HOOK and “The Egg Travels” from DINOSAUR. So whenever I play those tracks now, especially “The Egg Travels”, I associate it more with the play than the film.