[Nick Zwar]

Yeah, I really love that score. And it’s so fascinating on many levels. That synthesizer “pulse” motif that opens the score and symbolizes the inner “logic” of the city and its computer mind is weaved throughout, like in the imposing but oppressive three note brass fanfare, for example, heard in the opening. So from the “outside”, the dome is this huge, somewhat threatening structure, a big oppressive “city”, but from the inside, it’s a “pulse”, that motif is just “present” and rolls electronically around, just a cold, electronic “omni-presence”…