Reply To: What are you listening to now?
This was my 5th favourite score of 2014, and is very much in the same mold as Solomon Grey above. Dreamy shoegaze-like synth-pop that just goes to my core these days. Son Lux (aka Ryan Lott) also delivered a fine score for PAPER TOWNS the year after, in 2015, and a decent (but not quite up to snuff) MEAN DREAMS in 2016, which I saw in Cannes that year, but he’s been more or less off my radar for the last 10 years. I should update myself on his work.