[Thor Joachim Haga]

Train travels don’t always have to chug along. They can be more elegant too. I’m thinking the MURDER ON THE ORIENT EXPRESS films, be it Bennett or Doyle or whatever. Or about 9:50 into the suite from Tiomkin’s STRANGER ON A TRAIN on the Ketcham/Utah Symphony Hitchcock compilation.

Annette Fock’s gorgeous NIGHT TRAIN TO LISBON subscribes to this slower, more elegant train pace as well.