[Thor Joachim Haga]

This beautiful, moody, (mostly) synth score by famous Norwegian singer-songwriter Thomas Dybdahl took me completely by surprise in 2018. I didn’t know he had it in him. But in general, Dybdahl has done several film scores over his career, often for the Stavanger-based director Arild Østin Ommundsen. I interviewed him way back in 2010, when he made his film scoring debut with Ommundsen’s ROTTENETTER. Google translated version here, for anyone interested.