[Thor Joachim Haga]

Also, there’s this:

There’s a REASON for why I gravitated towards film music as opposed to, say, classical music in my formative years. That reason is MUSICAL. There were things about how film music was conceived and conceptualized that I preferred over how classical music was conceived and conceptualized. I’ve mentioned some of those reasons earlier. How does that happen, in your view, when there are apparently no musical characteristics that sets film music apart from other types of music?