[Thor Joachim Haga]

Yes, whatever the correct number is (when you account for all the right parameters — dramatic instrumental score [not just songs], not merely reuse of themes [which of course also Morricone and Sarde and Horner and other prolific composers have done to lesser extents], not merely a small contribution etc. etc.), it’s incredibly impressive. Regardless of the strain on quality that this workload must have, when you basically do 2-3 film scores a month(!).