I think Goldsmith’s last three scores are all terrific, including Looney Tunes Back in Action, which is wonderful, full of life and very catchy, fun music.
Would be hard to beat Bernard Herrmann, who went out with a bang with Taxi Driver.
Leonard Rosenman’s final score is Jurij, which is a very beautiful score. Never saw the movie, but the score is wonderful, definitely a high point. For those who think Rosenman was always harsh and atonal, this one is more akin to the East of Eden type of Rosenman.