Reply To: FSM # 20: Final scores – best and worst?
Same here. Robin Hood is one of the few Korngold scores, that work well as a musical work on its own. Sea Hawk is like many other Golden Age scores an annoyingly stressful enterprise full of beautiful highlights.
As much as I love the Morgan-Stromberg complete recordings the older Kojan ones are still great, too. I am still puzzled that CAPTION BLOOD never got a proper re-recording despite those suites.