Hmmm. So it’s a bit like BATTLESHIP POTEMKIN, perhaps, where a later version used existing Shostakovich music instead of the original Meisel?
Often those original silent film score often were rather local and Meisel’s was primarily for the German premiere. I doubt it was regulary peformed or even outside Germany.
This was my list from that FSM tbread:
No synths, no Jon 😉