Hans Zimmer
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Malte Müller.
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2. July 2026 at 15:23 #12353
Is there enough score in TWO DEATHS and CALENDAR GIRL?
2. July 2026 at 15:25 #12354I have a boot of TWO DEATHS that clocks in at 17 minutes, so would probably need to be coupled with something else. Have no idea about CALENDAR GIRL beyond the 5:40 track “Counting Down the Years”. I just assumed so, to be honest.
2. July 2026 at 18:04 #12364I used to have CALENDAR GIRL on vhs. I don’t remember much score. It’s a song-heavy film.
https://www.discogs.com/master/978251-Various-Calendar-Girl-Music-From-The-Motion-Picture
2. July 2026 at 19:10 #12368Seems I have some CALENDAR GIRL boot with 43 mins. Can’t say anything to the music and not even if it has sfx as it been ages I listend to it…
2. July 2026 at 20:52 #12374As a Gen X film score fan who grew up loving the usual cadre of composers we all loved unequivocally – Williams, Goldsmith, Elfman, Horner, Silvestri, Barry – Zimmer was always an interesting yet complicated composer to approach. During the 90’s, in FSM and online, the overall consensus seemed to be that we weren’t supposed to like his music, as if it was akin to liking junk food. Of course I had my favorites (BLACK RAIN, THE PEACEMAKER, BACKDRAFT), as everyone does, but over the last 10 years or so I found myself in new mindset I like to call “How I Learned to Stop Worrying and Love Hans Zimmer”! Part of this was helped by when I focused an episode of my podcast on his career, his approach to scoring (a band-like philosophy) and his music.
The expanded editions of older scores of his helped, but I also kept buying his new scores and really loving many of them. WONDER WOMAN 1984, THE CREATOR, DUNE and NO TIME TO DIE are all recent Zimmer scores that are so memorable in my book. I then discovered mid-career scores of his I missed and now love, such as the two SHERLOCK HOLMES and THE LONE RANGER. INTERSTELLAR and INCEPTION are awesome, as are all his PIRATES and BATMAN scores. I feel like the only album of his that I bought in the last 10 years and hated was WIDOWS.
I made a 5 volume set of highlights spanning his career up until now, with some custom suites I made from scores like WHITE FANG and THE ROCK, and it’s my favorite way to interact with his music.
3. July 2026 at 01:27 #12381Seems I have some CALENDAR GIRL boot with 43 mins. Can’t say anything to the music and not even if it has sfx as it been ages I listend to it…
Let us know whether there are SFX or not.
3. July 2026 at 01:30 #12382During the 90’s, in FSM and online, the overall consensus seemed to be that we weren’t supposed to like his music, as if it was akin to liking junk food.
Yes, and that irritated me immensely. I mean, a 20-year old Lukas Kendall telling us we should rather listen to Korngold and Prokofiev, LOL. He was an ancient soul in a young body 😂
5. July 2026 at 15:03 #12487Let us know whether there are SFX or not.
I listened to it – it’s labeled as “promo” (I have it digitally only) – and it is clean.
5. July 2026 at 17:27 #12489Which other Zimmer-scores would you compare it to?
5. July 2026 at 17:57 #12490It an overall rather light pop/rock/blues score and not so muc synth. Some vocal stuff reminds me of REGARDING HENRY – there is als one song not sure if his – and some e-guitar work you hear in THELMA & LOUISE, K2 of the time as well.
Just found a 20min suite is also on Youtube:
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