Regarding Penderecki’s scoring tasks…. Yes, he did score https://www.maintitles.net/reviews/rekopis-znaleziony-w-saragossie/, but all the rest is tracked in music. Curiously, Penderecki sometimes called a few talks with a Polish director, making a film, while he was working on an autonome piece, later tracked into the film, a collaboration. And I think these remarks have led to ongoing false information regarding ‘the few’ original scores. However, there a maybe three short films, without a reliable source, or a means to watch them, that could have original scores, but I doubt it.
So yes, Kilar and Preisner.
Concerning Kilar, there are recurring atypical things; minimal, expressive themes, stark conceptual ideas for a lot of smaller films, great waltzes to things of great size and scope. This results in walls of sound/conceptual ideas in König der Letzten Tage, to introvert, sparse, stark and conceptual only music to Góry o zmierzchu.
https://www.maintitles.net/reviews/konig-der-letzten-tage/
https://www.maintitles.net/reviews/gory-o-zmierzchu/
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