Malte Müller

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Viewing 15 posts - 31 through 45 (of 382 total)
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  • in reply to: Cheers! #6753
    Malte Müller
    Keymaster

    The locals gave me a strange stare as I insisted to have it outdoors. Us crazy Norwegians!

    Weird, it’s nice weather and no rain 😉

    in reply to: What are you listening to now? #6747
    Malte Müller
    Keymaster

    Digital downloads, which I quite like, are even more niche than CDs.

    Yeah, sad but true.

    The problem with streaming is that not only is not everything available on streaming, sometimes stuff gets withdrawn.

    Same for downloads, too. Seem to be some contractual limits in play.

    in reply to: What are you listening to now? #6743
    Malte Müller
    Keymaster

    I didn’t know ALIEN isn’t otherwise available for streaming, but unfortunately a lot of grrat film music isn’t.

    Which of course helps our niche to still sell CDs 😉

    in reply to: Thomas Newman #6742
    Malte Müller
    Keymaster

    Well, why not if he isn’t replaced shortley before release by someone else. His two Bond scores might not have been real classics in the series but served the movies in general. Another big franchise surely pays off for him moneywise 😉

    We got plenty SW scores that didn’t sound totally like JW. The question is how much will this sound like TN.

    in reply to: “We’re all going on a holiday” #6741
    Malte Müller
    Keymaster

    There is no law that says you can’t go on holiday with your parents at age 48.

    Of course not. Especially if you have a general good relationship with them you should (at some age again) spend time with your parents as long as you still have them!

    in reply to: Live-to-picture concerts #6725
    Malte Müller
    Keymaster

    I saw a few silent movies with new scores live as well. Don’t remember all. But for example THE GOLEM with a new music by Betty Olivero featuring the Arditti Quartet and Giora Feidman as soloist (since I also have the CD of that). Or THE BLACK BIRD with a news score by a local band (which even was on some DVD).

    I find that too modern scores, be it too pop or too advantgarde often tend to clash a little with the “old images”. If you know what I mean. But that’s probably a different topic.

    in reply to: Live-to-picture concerts #6722
    Malte Müller
    Keymaster

    Not directly the same at least “as intended”: I saw several silent movies with live music some years ago, some to note were:

    – THE GENERAL: Open Air with Carl Davis’ score played by our local Symphony Orchestra (sadly without Davis himself)
    – THE STUDENT OF PRAGUE: With the original score by Joseph Weiss
    – THE ADVENTURES OF PRINCE ACHMED with the original score by Wolfang Zeller at our University Of Music played by a student chamber orchestra

    in reply to: Randy Newman #6712
    Malte Müller
    Keymaster

    I once had the CD to THE NATURAL but for reason I don’t know I sold it once but regret it. I like his Pixar scores like A BUG’S LIFE, the TOY STORIES, CARS, MONSTER INC and of course the great (first) theme song to the tv show MONK. I never explored his song work outside films.

    in reply to: Victor Young #6711
    Malte Müller
    Keymaster

    Didn’t he have (a little bit like Alan Menken) a reputation of rather being a songwriter than a composer?

    Yes, I think he had one as a good theme/melody writer and lots of those ended up as film songs.

    I also have that rerecording of The Uninvited. Didn’t do that much for me.

    Yes, for me too. Been a while I listened to the album but I think I liked the other scores more.

    But I am a fan of his Scaramouche suite on that swashbuckling Captain Blood album conducted by Richard Kaufman.
    Overall one of my favourite Golden Age albums.

    That’s a good suite.

    You named a lot of the scores I would also list. I would add the western scores RIO GRANDE, JOHNMY GUITAR and SHANE. Although I prefern Tiomkins western scores in general of that era.

    in reply to: FSM # 3: The $1000.000 Question: What is good [film] music? #6655
    Malte Müller
    Keymaster

    I never subscribed to the German split between E-Musik and U-Musik. Not in school, not now. It’s bollocks really.
    First, the terms are misleading. Is all E-Musik “serious” and not entertaining? Is all U-Musik entertaining but not serious? That’s ridiculous.

    Fully agree, I never liked those terms, too. There is sort of good or bad work. Sometimes that judgement may depend on what it was made for or my current scope of knowledge as already discussed above.

    in reply to: The Sports Thread #6620
    Malte Müller
    Keymaster

    Not yet, I think. We’re so few active that we can afford topics all over the place.

    True 😉

    in reply to: Do you also dislike the phrase “This is a fun score”? #6616
    Malte Müller
    Keymaster

    These puns are fun 😉 I am guilty of using that term often in the meaning of “guilty pleasure”. Or for “minor” scores of a composer that already has better or more original masterpiece scores in his ouvre.

    in reply to: FSM # 3: The $1000.000 Question: What is good [film] music? #6615
    Malte Müller
    Keymaster

    Yes, `gebrauchsmusik’ (meaning “applied music”) in contrary to “absolute music” (meaing the “concert” or “art music”) are also commonly used terms. Although “Gebrauchsmusik” as “U-Musik” has a strong lower rank connotation to it.

    in reply to: The Sports Thread #6613
    Malte Müller
    Keymaster

    Perhaps we should have a separate off topic forum unless we are starting to discuss sports music themes 😉

    in reply to: The Sports Thread #6612
    Malte Müller
    Keymaster

    Okay if no one dares, I expose myself as someone who fits into the “no sports” cliche 😉 I do watch Soccer championships sometimes a little on occasion if Germany is in the finals. Or peek into Olympics. But I hardly manage it completely 😉

Viewing 15 posts - 31 through 45 (of 382 total)