Malte Müller
Forumsvar Lagt Inn
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Innlegg
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If you should bette report the issue there instead of here. The “rollercoaster” will not go away by itsself 😉 Cannot say how it is logged in but just visiting it does work generally and the speed is okay, too. On mobile the layout ist still a bit off here an there but it also improves.
I have this feeling that the more suggestions are voiced by the membership, the more unruly it becomes.
Maybe Lukas & Co doing the old mistake to try to please everyone. Sometimes some things are just as they are with a news system.
I am still puzzled that they launched that early. I would have never dared to do that with a website project. Anway the huge task was getting the data over and that they seem to have managed rather well.
Howards KING KONG would also be great. Wonder if material already ended up in another score. Also didn’t know about Desplat’s ROGUE ONE.
Early orchestral David Arnold could be fun. He also does not do big movies anymore like Doyle but as far as I know it’s also at least partly his choice.
(acquired through….uhm, underground sources)
Those who are without sin may cast the first CD 😉 I only know a suite that is on Youtube somewhere and liked it.
Just realized I actually don’t that FLATLINERS boot. But I for sure saw the movie. So will wait for samples.
I only have rudimentary basic notation knowledge and get a basic impression from a melody written or so. But I cannot read and “hear” the music by reading it. And for sure not full scores (although I like looking at them).
I was forced to play recorder – the cheap plastic one I still own – in 5th/6th grade in school and actually music in school did drive me a bit away from music and especially classical music. In the early grades I already liked pop film themes like the Bond themes but I was more into charts… Appreciating classical did only start when I got really into film scores end of the 80s.
I do regret that I didn’t take piano lessons when my parents offered to pay for them but as mentioned I had no real interest in practicing especially (and now I also don’t ;-)). This all didn’t keep me from amateurishly dabbling around with music via computer. First using the C-64 by even coding in Basic, then the Amiga 500 (Soundtracker program) and then on Mac. I even actually do have a small MIDI keyboard and Logic Pro now.
I bought the first Intrad 2CD edition because that indeed sounded better to me than the original album and the 20th(?) anniversary release I had. I also didn’t find the new edition’s samples significantly better.
I also find it scary how time flies
Indeed… I still have him on a “newer generation composer” list, too…
Like that annoying “rollercoaster scrolling” that happens every time you want to go to the latest post. Makes me seasick; it should be instantenous.
It’s indeed a matter of set up. You can do that via JS or via CSS. If you do the latter it is sort of global setting. Many prefer smoother scrolling insteaf of directly “jumping”. A sort of scroll will always happen.
Wasn’t there a topic on FSM about that recently? Wondered about the collaboration with Branagh as well. He seems to be looking well according to his socials:
https://www.instagram.com/patrickdoylemusic/
https://www.facebook.com/PatrickDoyleComposerPerhaps he moved away from films or is just not being asked. Just with Thomas Newman, we are all also not getting younger…
Listening to the PASSPORT RMX album right now that Doldinger co-produced and performed on. A child of its time surely but the originals still shine through. https://www.discogs.com/de/release/524920-Klaus-Doldinger-Passport-Rmx-Vol-1
Sampled the SPotify samples of LOS BORGIA. Sounds indeed very Delerue even the action tracks remind me of him. Nice.
Amenàbar – who’s from Chile, by the way
Ah, another one I got wrong! At least I didn’t sneak a Portuguese speaking Brazillian in there, too 😉
Looking Doldinger up on Wikipedia, did you know that he worked with Keith Forsey early on in the latter’s career? That was news to me.
I think he was drummer on Passport’s precedessor ensemble Motherhood where Doldinger used the pseudonym Paul Nero late 60s/early 70s.
do know the track Connstellation 5 from somewhere else not knowing it is Doldinger (although you can actually hear it). I am sure that track was used somewhere in some TV series or else but I don’t remember yet where.
I knew it! It is actually the theme from a 1974 German TV thriller named EINER VON UNS BEIDEN which was directed by Wolfang Petersen and starred Jürgen Prochnow who also starred in DAS BOOT later. “Constellation 5” appears under that film name on a compilation. As so often the actual film track or score is completely unreleased.
